(un)familiar

Artists

Eva Aeppli

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Louise Bourgeois

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Miriam Cahn

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Sara Masüger

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Carol Rama

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Loredana Sperini

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Installation views

Selected works

LS/S 1
Eva Aeppli
Le pensionnat

1961
oil on canvas
130 x 232 cm

Eva Aeppli
Krebs – Messidor

1980-1998
Bronze with green patina
39.5 x 24 x 20 cm

Louise Bourgeois
House

1984
Marble
12.1 x 21.1 x 7.3 cm

Louise Bourgeois
Toi & Moi

2006
screenprint on fabric, Ed. 125
31.1 x 25.4 cm

Miriam Cahn
Weinende nach Picasso

2002
oil on canvas
18.7 x 23.3 cm

Miriam Cahn
Ergeben

2004
oil on canvas
180 x 104 cm

Sara Masüger
Untitled

2018
iron, epoxy resin
169 x 39 x 39 cm

Sara Masüger Untitled, 2021, Acrystal, tin, 15cm x 40cm x 19cm, Unique
Sara Masüger
Untitled

2021
acrystal, tin
15 cm x 40 cm x 19 cm

Carol Rama
Luogo e segni

1976
Mixed media on rough canvas
131 x 200.5 cm

Carol Rama
Senza titolo

1949-50
oil on paper
70 x 50 cm

Loredana Sperini
Loredana Sperini
Untitled

2019
wax, cement, pigments
30 x 21 x 4.5 cm

Loredana Sperini
Loredana Sperini
Untitled

2015
wax, cement, pigments
30 x 21 x 4.5 cm

Loredana Sperini
Untitled

2018
bronze
16 x 7.50 x 7.50 cm

Loredana Sperini
Loredana Sperini
Blue nails

2019 – 2020
oil, paint, bronze
14 x 18 x 21 cm

Sara Masüger Untitled, 2021, Acrystal, tin, 15cm x 40cm x 19cm, Unique

About the exhibition

The exhibition (un)familiar is a contemporary exploration of the human body as a site of intensity, fears, obsessions, memories and perceptions that merge the autobiographical with the collective consciousness, whether literally or in an abstract sense.

Especially in today’s digital world, characterized by disembodiment and desensualization, the embodiment of these fleeting but nonetheless existential emotions through a sculptural or painterly process takes on a new urgency, inviting the viewers to reconnect to themselves.

The exhibition features works by different generations of artists, from Eva Aeppli, Louise Bourgeois, and Miriam Cahn to Carol Rama, Sara Masüger, and Loredana Sperini. They all try to reconnect between our senses and our body.

Publication

Excerpt

“Especially in today’s digital world, characterized by disembodiment and desensualization, the embodiment of these fleeting but nonetheless existential emotions through a sculptural or painterly process takes on a new urgency, inviting the viewers to return to themselves.”

[click for an online preview]

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