Abraham David Christian finds formal basis for sculpture and drawing in the human body, in its dimensions, symmetries, asymmetries and movements. It is the vertical alignment that gives Christian’s abstract sculptures their posture. And it is the spiral that symbolizes man’s radius of action, that is, his physical, mental, intellectual and spiritual space. He finds his adequate form in the “Interconnected Sculptures” he calls them. Precisely because these works also function eccentrically.